Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts

Thursday, June 21, 2012

New Gig: History Witch

Out of the ivory tower and into the streets!

Or at least the blogosphere. I'm proud to unveil my latest gig, which sprang directly from the interest generated by Rook Chant: I am now the History Witch for the Witches & Pagans site. I'll be bringing the fascinating but often rather challenging information from my studies to an appreciative audience with varying kinds of knowledge and interests.

Witches & Pagans coalesces a variety of publications and readerships, reaching a wide and diverse audience across the world, so I have a potential audience of tens of thousands. Something to put me on my mettle for sure. I expect to have some lively conversations. I join fellow bloggers like my pal Byron Ballard.

I have spoken for some years now about the need to communicate the importance of scholarship in an increasingly (or perhaps returning) anti-intellectual climate, especially in the United States. Many great minds engaged in fascinating pursuits share their discoveries with a too small audience. Many American universities discourage this kind of work and frown on those who engage in it. Colleagues can be dismissive. But it's key to promoting the message that education is not a business. It's a dedication to improving your mind and thinking critically. Most of all, it's important.

In Britain, it's still possible to be considered quite interesting for having a lively intellectual curiosity. The new president of Ireland is a poet. In Italy it's possible to appear in the Paris Review and the bestseller list at the same time. Though all regions have their anti-intellectual forces, it's become particularly virulent in the States because of corporate-funded propaganda like the Murdoch empire.

So this is me stepping out in my own small way, hoping to encourage other folks to do the same and show that academics are not "snobs" or irrelevant, but deeply engaged in understanding the world in which we live from many different angles.

I begin with a little piece about Anglo-Saxon magic. Drop by and say hello.


Wednesday, June 20, 2012

FREE for International Short Story Day


Yes, the longest day of the year is devoted to the shortest of stories. Happy summer solstice -- how are you spending the longest day of the year? I'm sharing some of my short stories that are available on the net for your reading pleasure, which ought to keep you busy a while:

“Homework.” Flash fiction. Necon E-Books. June 2012. Honourable mention, May Flash Contest.
“Twitter Wedding.” Poem. Asinine Poetry (Summer 2012).
“Just Waiting.” Short story. Near to the Knuckle, 5 June 2012.
“On seeking a place for a picnic.” Poem. Short Humour, 22 May 2012.
“Biscuits.” Flash fiction. Short Humour, May 2012. Also available at Postcard Shorts, May 2012.
“Bill is Dead.” Flash fiction. Pulp Metal Magazine, Spring 2012.
“Words.” Flash fiction/podcast. Dogcast 5: March 2012.
“Yuletide Feast.” Short story. Short-Story.Me: 21 Jan 2012.
“Mandrake Anthrax.” Short story. A Twist of Noir, 14 Dec 2011.
“A Charming Situation.” Short story. Written for the Sherlocking fan site: Scribd (Nov 2010).
“Touched by an Angel.” Short story. Kalkion (Jun 2010).
 “Wixey.” Flash fiction. Wild Violet 8.1 (2009).
“Fluorescence.” Short story. The Harrow (Jul 1008).
“Palakainen.” Short story. New World Finn 7.2 (Apr-Jun 2007): 4-6. Reprinted: Mythic Passages (Feb 2009).
“Sinikka Journeys North.” The Beltane Papers 25 (2001): 14-19. Reprinted: Mythic Passages (Feb/Mar 2004). Collected in Unikirja.

 ~and the one that started everything off
“Revelation.” The Official Clive Barker Page, www.clivebarker.com. Winner, MGM/United Artists/Clive Barker’s Lord of Illusions Short Story Contest, November 1995.

NEWS!

☼ The big news is the cover art for UNQUIET DREAMS, my forthcoming story collection from Tirgearr Publishing. I love the spooky gal in the hennin and the magpie OF COURSE! Judging by the reaction when I posted it on Facebook, folks dig it. I am quite bowled over by Mike (FREAKIN'!) Mignola saying, "Wow - great cover!" I tell you, Kem is floating on air with that praise. And the always generous Steve Bissette has given me a sweet pull quote (thanks!):


“Kate Laity’s Unquiet Dreams  is the long, deep plunge in the coldest quarry in the woods; the lingering look under the rotting wood at all the writhing life there; the stare into the abyss until one realizes something is staring back.”

☼ The lovely Maura trundled me out on a little jaunt to Kinvarra, Yeats' Tower and Coole Park, which was simply glorious. You can see the pictures beginning here. It was a magical day! Fitting as I took "unquiet dreams" from Yeats, I owed him a visit.

☼ A new poem up at the Short Humour Site: "Kingsley Amis in the Afterlife" -- be sure to check out ChloĆ«'s poems, too!

☼ My post "How to Write More" over at A Knife and A Quill seems to have hit a nerve, and I have an hilarious interview with Mr B where we do our best Morecambe and Wiseing. I have another writing gig to announce soon, the direct effect of ROOK CHANT. I don't want to jinx it, but everything's coming up Milhouse lately: I hope it lasts.

☼ I'm planning to migrate the blog over to the website, where you may notice I've been tinkering with the layout and the look. It would be advantageous to have everything in one place, though it's a bit of a wrench to shift from here where I've been for EIGHT years. I experimented by migrating the serial over to Kit's page and all seems well, though of course there are about ten times as many posts here. Fingers crossed it all goes smoothly.



Sunday, June 17, 2012

Six Sentence Sunday: Rook Chant


All right, it's Sunday again -- and Father's Day! Happy Father's Day all -- so here's my six. A little change of pace: not fiction, but non-fiction. A little taste from my latest publication, Rook Chant, which offers a compendium of essays, translations and reviews on one of my favourite topics: magic. I write about it from many different angles, often bringing fairly obscure things to a general audience. My way of saying, "look at this cool stuff I found!"

Here's my six from a presentation I gave at the Harry Potter Symposium in Salem, MA. What a fun event that was! Charles de Lint and MaryAnn Harris were there (and singing!) and many other luminaries. My presentation tried to give the basics of Anglo-Saxon magic to an audience that included all ages. This  will give you a taste of the charms:

By the time these charms are being written down, England is a mostly Germanic-speaking land with a healthy population of Celtic folks, fighting off Vikings and often one another. The one constant was magic. The charms of Anglo-Saxon England  consisted of words, herbs and actions. The Anglo-Saxons believed that words had a magic of their own especially when spoken aloud, but that the application of the right herbs would help the healing processes along, too. Sometimes other actions were required to create the right atmosphere or to move bad luck along to someone else. Used in conjunction the result was simply magic.

I've already got a lovely review and several requests for review copies. I also will be announcing another exciting piece of news soon that's a direct result of Rook Chant. It just goes to show, the real magic is making your dreams manifest. Audaces fortuna iuvat!

Check out the other Six Sentence Sunday entries and find yourself a few new authors!

Thursday, June 14, 2012

Out Now: Rook Chant


Few things make a writer happier than a gorgeous book cover and this one's a beaut, thanks to the ever talented Queen of Everything, S. L. Johnson. You may recognise the image from a photo I took: how rare for a writer to have a hand in the book cover! Rook Chant brings together a wide variety of publications that have appeared in various places.  I've had people asking me to send them pieces that are no longer available or available only in academic journals or otherwise hard to obtain. Everything from Anglo-Saxon witches to Alan Moore, Finnish magic and charms.

Blurb: Collected Writings on Paganism & Witchcraft by award winning author, K. A. Laity. This collection represents a wide range of pieces touching on the breadth of her interests in paganism and witchcraft. It includes everything from short pieces for pagan/spirituality journals like The Seeker Journal, The Beltane Papers, Circle and New Witch, papers delivered at academic conferences or published in academic journals as well as a few reviews and translations of old magical texts.

"Laity is a very remarkable sorceress indeed."
          ~ Elizabeth Hand, author of Waking the Moon

"ROOK CHANT is a delicious in-gathering, a magpie's nest of shiny new things about subjects old, gnarled and powerful. Sit with it, relish it and be bound likewise into a breathing tradition that puts Potter et al to shame. It is a charm well-sung and a talisman."
          ~ H. Byron Ballard, Asheville's Village Witch and author of Staubs and Ditchwater: a Friendly and Useful Introduction to Hillfolks' Hoodoo

Buy it on Amazon -- and of course any help you can give on getting the word out, clicking "like" on Amazon or agreeing with the tags, would be most appreciated. The biggest hurdle writers face these days is to be heard in the cacophony. Thanks! Click the picture for Amazon US:





Or get it at Amazon UK, Amazon De, Amazon Fr, or Amazon It (anyone I missed?).

Sunday, February 19, 2012

Six Sentence Sunday: Pelzmantel

As always, drop by Six Sentence Sunday to browse through the offerings and discover new writers.

Once upon a time, there was a queen. She had hair of brilliant gold. It would shine like burnished metal in the sunlight, dance in moonlight spears. Her face had the radiant glow of genuine happiness, for she loved the land in which she dwelled, and she had found her own true love... 

This is the end of one story that I know: a happy ending. But it is the beginning of this story, so of course something terrible is going to happen.
 
Get the ebook!

Friday, July 29, 2011

Friday's Forgotten Books: Between the Angels and the Apes

Not so much "forgotten" as -- what? Aborted? Headed off at the pass? The initial news was wonderful: Alan Moore writing an opera on John Dee with Gorillaz! What's not to love? It sounded like a match made in an alchemical lab somewhere with the potential of turning into gold. There was just one problem: Gorillaz couldn't be bothered to come up with some artwork for Moore's magazine Dodgem Logic despite having the issue held for them several times.

Really? Is it so hard to give a little quid pro quo? Apparently, so that was that.

Well, if you're Alan Moore, you just get on with the billion other projects you have going and publish what you have in Strange Attractor, and if you're Damon Albarn, you make your own opera on Dee anyway.

The lovely thing about Between the Angels and the Apes is how the notes reveal (once again) Moore's structural approach to composition. Consider the opening section of the outline:

If we're to create an approximately ninety-minute piece on the subject of Greatest Dead Englishman John Dee, then a solid and conventional place to start structurally would be a classic three-act construction with sections of a half-hour each. This also seems to fit nicely with the triangular Greek delta symbol (which is how Dee identifies himself in the facsimile notes presented in A True and Faithful Relation of What Passed for Many Yeers between Dr John Dee and Some Spirits [Meric Casaubon, 1659] and is also the elemental symbol for fire, which is in turn the element that represents the highest spiritual component of the magician or, indeed, the ordinary human being).

Moore further breaks down each section into subsections with flashbacks and the opening and closing scene of the dying Dee in Mortlake with his daughter. It almost seems as if Moore comes up with the idea of breaking the fourth wall as he writes, suggesting that the magician can sense the audience as "spirits of futurity" watching him from the time to come. His take on Queen Elizabeth is that she's a kind of Faerie Queen and he suspects "that Dee's devotion to Elizabeth was at least partly erotically inspired" so imagines her  as more "otherworldly and erotic" than traditionally envisioned. It's a fascinating look at a show that will doubtless never be. Yes, it includes some of the text as well as the notes for the piece, although it remains unfinished.

You can buy this issue of the journal, which also includes Moore Bumper Book of Magic collaborator Steve Moore, no relation, but subject of his performance piece, Unearthing.

Find this week's round up of Forgotten Books over at Sweet Freedom, next week back at Patti's.

Last week's FFB included Todd's write up of our comic Jane Quiet for which he's given me and Elena the best pull quote ever:

Laity might be the literary child of Angela Carter and Peter Cook and Italo Calvino, and Steier the artistic child of Trina Robbins and Gahan Wilson and Jules Feiffer, and not a little dash of Joan Aiken.

Yes, I plan to employ that one.

Thursday, May 26, 2011

Publication: Finnish Charms

I had nearly forgotten about this: the Mythic Journeys folks have been going through some interesting transitions (which seems entirely appropriate) but the journal is back at last. I gave this paper at the Forging Folklore Conference at Harvard University in May 3-5 2007. Great conference! Peg and Hannah put together a terrific bunch of presenters including Ron Hutton (whom I teased about Kyrie whose voice always accompanied him on Historyonics), my mentors Steve Mitchell and Joe Harris, and the fabulous Byron, whom I met for the first time there. Before I gave the paper, I played the kantele and sang. Yes, me -- singing. I wasn't sure I'd do it until I opened my mouth. Good to do things that terrify you now and then. Love the image they chose.



Finnish Charms:
Appropriating Folk Magic from
the Kalevala and Kanteletar


By K.A. Laity

KylƤ vuotti uutta kuuta,
miero pƤivƤn nousendoa.
MiepƤ vuotin minjoavani,
miepƤ vuotin minjovani.


The village waited for the new moon.
They said my brother would return
empty handed when he was off hunting.
They were wrong. The eagle caught the duck.

VƤrttinƤ, “KylƤ vuotti uutta kuuta”
Truly they lie, they
Talk utter nonsense
Who say that music
Reckon that the kantele
was carved by VƤinƤmƶinen…
out of  a great pike’s shoulders…
no, music was made from grief
molded from sorrow…
so my kantele will not
play, will not rejoice at all…
for it was fashioned from cares
moulded from sorrow.                        
                       

My Kantele, Kanteletar 1:1

One of the least well known of modern reconstructions of folk magic must certainly be the realm of Baltic magic found in the ancient texts of Finland, but it has found a perhaps surprising popular resurgence in  recent years. The reprinting of Kati Koppana’s Snakefat and Knotted Threads has brought a handbook of folk magic to a new generation of reconstructionists, but the nineteenth-century collections The Kalevala and The Kanteletar continue to provide a rich supply of magical practices.  While originally the outgrowth of a rising sense of nationalism in nineteenth-century Finland, the two collections of myth and folklore also record a number of magical charms that give some insight into the ancient practices of the Finns, since lost in the (relatively) late conversion to Christianity and the long-practiced denigration of the indigenous tongues particularly by Swedish and then Russian political control...[read the rest and check out Anya's essay on Egypt, too]

Monday, February 07, 2011

Review: Magus

Carey Harrison's play Magus offers a melange of people and times, jumping back and forth between the early twentieth century and the late sixteenth. Kafka, Shakespeare and Cervantes all meet in a vision conjured by the madness of Kafka's sister Ottla, overseen by the multi-skilled consultant to Queen Elizabeth, John Dee, who invites the audience into the vision. Dee's quest for life eternal seems to have been answered as he speaks to the audience in the present time before stepping back to the sixteenth century, then moving forward to appear as Sigmund Freud for Kafka. I love the idea of Dee having lived on and taken up new personas like Freud, but Harrison didn't really develop that angle and I think it's a missed opportunity. Harrison's magus is kindly and warm-hearted but yearning for that eternal life -- seemingly only for himself, though. His wife is barely in his thoughts (or the play, a shame for the lovely Naomi Hard), though there is an allusion to the wife-swapping alleged between Dee and his partner Edward Kelley (played with nervous malevolence by Phillip Levine). Kelley's only interest is gold and he has a bottomless and urgent hunger for it that makes him willing to countenance tricking his partner and plotting the murder of that troublesome young Shakespeare.

The invention of this meeting between Shakespeare (Rudi Azank) and Cervantes (Richard Bennett) had all kinds of potential for explosion, but nothing much happened with it. You set the bar high when you include historical figures of such talent. Surely even as a callow youth Shakespeare had wit and insight, but in the play he's just a kind of laddish troublemaker, though Azank made sure he was charming. Bennett had even less to do with Cervantes.

George Konrad's Kafka centered around a heartfelt sorrow for his sister's madness. Although Ottla's vision formed the play, her role was peripheral. Nonetheless Brittany Sokolowski managed to infuse a fragile quality to her performance that made her brother's obsessive worry understandable. But again, Kafka wasn't especially Kafka-like despite his transformation scene. The sudden injection of realism through Ottla's trip to the deathcamp Auschwitz gave me the feeling that everything including the kitchen sink was being thrown in.

I don't want to sound too negative: after all I'd take a play with ambitions that don't quite work over a less ambitious play any day of the week. Harrison himself offered a warm and engaging Dee. The care that went into the production was obvious. The costuming was quite good and the sets simple but effective (loved the satyr!). David Temple's beautiful classical guitar music offered both dramatic ambiance and reverie.   

This was my first visit to the Center for Performing Arts at Rhinebeck; it's a interesting space and I'm glad they're willing to branch out from the usual repertory staples to do an unusual and ambitious project like this play. Well done!

Friday, January 21, 2011

Jane Quiet 2.0

Welcome to the relaunch of Jane Quiet, the continuing adventures of the occult investigator Elena Steier and I created. We're happy to be relaunching the comic after some delays. We have all kinds of exciting things in store for you, beginning with a wild trip to Egypt that will include a certain cat-headed goddess as well as some wild demonic mayhem.

We're starting out with a blast from the past for Jane: one of her friends from grad school in Edinburgh has phoned her up, reminding her of one of their adventures there (see the prologue!) before asking for Jane's help with some strange phenomena that are happening in her hometown. A clash between the past and the present, mysterious murders, and ancient Egyptian gods will all come together in this arc.

We'll be making use of our trip to the John Hay Library and its occult collection in the near future, and we hope to have the adventures up on a comics distribution site soon (details to follow). We hope you're as excited about this as we are -- it's been a lot of fun getting up to speed once more. It certainly looks like webcomics are the way to go, so we hope Jane finds a lot of readers.

If you're on Facebook, be sure to "like" our fan page! We'll be giving away a unique prize there.


I don't know if JQ qualifies as a "Forgotten Book" but if you're looking for other reading suggestions, you'll find the list at Evan Lewis' blog (Patti's off celebrating her anniversary: congratulations!).


Thursday, September 16, 2010

Moonlight, Lace and Mayhem -- and Me!

I'm guest blogger over at Moonlight, Lace and Mayhem today. Stop by and say hi and read what I have to say about...

football?!

Yep, it's true (and why there's a picture of Mesut Ɩzil here). No, I didn't have a choice, it was just their theme for the month. While I'm not much of a football fan, I tried to be a good sport (heh) and at least be funny when I couldn't offer too much in the way of knowledge about the game. It did remind me of all the fun this summer in London, with all the people in the pubs going mad over the World Cup matches. You can't help but get caught up in the excitement. The whole of the city echoed with the sound of vuvuzelas for weeks.

I'm off at some point today to Seacaucus, the garden spot of the Garden State (or so I was promised) for Authors After Dark, where Kit Marlowe and I will be joining friends like Stella Price, C. Margery Kempe, Susan Hanniford Crowley and many more. I need to finish packing all my promo things and um, clothes, too. Good thing I got a fabulous haircut this morning!

Thursday, June 03, 2010

Publication: Lachrymae Draconis

I have a new publication out in the latest issue of Realms. It's a kind of medieval mystery with a dragon called "Lachrymae Draconis" which you'll quickly figure out is Latin for "dragon tears" -- an entirely fake commodity that young Colburga has been dealing in with the help of the dragon she's got hidden away in a cave. No, the dragon doesn't cry. Colburga knows that's not possible -- but the dragon has other skills that help sell what they label "tears" and Colburga's knowledge of healthful herbs makes the concoctions effective. She's become quite a business woman because she doesn't do anything without making a profit. Her life may be lonely, but that's okay -- things are safer that way. Or so she thinks until the day a crying child appears at her gate with an intriguing problem...

I hope you enjoy the story. I had thought to include this among the stories added to Pelzmantel, but it got snapped up too quickly. I have seen the page proofs and the final cover and oh! does it look gorgeous. I'll see if I can make a reduced version so you can see. I'm still just gaga over Ruby's stunning artwork. Amazing!

I saw Tom Stoppard's The Real Thing at the Old Vic yesterday. Wonderful! Review coming soon: yes, it's a play about love, but also the love of words, including this hopeful line every writer dreams of making real:

I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.

Wednesday, May 12, 2010

Jane Quiet Returns!

Elena's got a new comic up at our Jane Quiet web jam page. Whoo hoo!

This is the start of the second issue or arc, I suppose we ought to say as it's on-line. Where did this start? I believe it was me combining Elena's love of drawing dancing babes, my fondness for Johnny Vegas, and a peculiar haunting.

And um, a little John Donne -- but you don't need to know that.

Check it out and leave a comment at the site.

Saturday, January 23, 2010

More Moore

I received confirmation that I will be giving my presentation on Alan Moore at the conference on his work at the University of Northampton at the end of May. My topic is:

Rite Here: Ritual, Performance and the Magick of Place

From his first public working, The Birth Caul, Alan Moore has always had a strong attachment to location as a specific aspect of his magickal work. The performance was originally intended as a “unique event” which sought “to draw the audience along the spiral of a winding, umbilical text, into successive pre-pubertal, pre-verbal and finally pre-natal states of being” in the specific location of Newcastle's nineteenth century Old County Court. Similarly, Moore unpacked the layers of geography of his home city of Northampton in the pages of Voice of the Fire, while the London locations of The Highbury Working and Angel Passage, his conjuration of William Blake, provided an anchor for those performances which tied the ethereal to a geographic reality. What happens when the ritual becomes unmoored from the place of its birth, when the “one time” performance repeats across the world, distributed on CDs and comics? Does ritual transform into mere performance, or can the intent survive the commercial process? If so, what does the ritual without location or the original conjurer produce?


With luck I will have a chance to meet up with a lot of interesting folk, including my pal, PĆ”draig Ɠ MĆ©alóid.

Monday, January 18, 2010

Reboot: Pelzmantel

Just about the time I was saying to myself that I really couldn't bear to hear the word "reboot" used yet again, uh, well -- I find myself needing to use it. Yes, the big news I have to share is that my novel Pelzmantel: A Medieval Tale is going to get a kickass new edition from Immanion Press. Many of you probably know Immanion as the home of magical fantasy writer, Storm Constantine. I've been a fan of her books for years and met her a couple of times and have always found her delightful. It was quite gratifying to have her say such kind things about my little book.

What's new: it will have a new essay on medieval magic, where I will explain some of the genuine charms and practices that I employed in writing this novel. Some of you may recall that I penned this while writing my dissertation; it sounds insane, but it provided a welcome break from the painstakingly detailed work of that project. I will also be able to include some short stories. I'm looking at uncollected ones -- though maybe including one from Unikirja if possible (synergy!) -- but I'd like to hear recommendations from folks about which stories they'd like to see included. I definitely think "Walpurgisnacht" would be a good companion. Others? My first thought was to focus on stories set in the past, but what about something like "The Willimantic Frogs"? What do you think?

It will also have a brand new introduction from the fabulous Liz Hand! I'm so excited. I can't wait to see what she writes.

Of course it should have a really attractive cover, too: they have some terrific cover artists at Immanion. I'm particularly partial to the ones for Storm's Grigori trilogy and the Wreatthu books.

The best thing is that I know so much more about PR and networking now than I did when this was first published. I know it's a good book and I hope this time around I'm able to generate a lot more interest and get it to the readers who will enjoy it. Having fabulous women like Liz and Storm associated with it will help, too.

UPDATE: June! Once get a clearer idea of the time line for this, I will let you all know. In the meantime, wheee!

Monday, January 11, 2010

Publication: A Case of Dead Faces

I'm usually quick to post links to my publications -- after all selling books is part of the game. But I've been dragging my feet on this one, because I have to admit that I don't like the cover at all. The anthology was edited by Kerry Morgan over at Pagan Imagination. I haven't had a chance to read through it, but I'm sure the content is good. I just can't quite find it in my heart to like the cover.



My story -- which I think I've mentioned here -- is the jazz argot-tarot-Buddha story. Yeah, that's right; yet another chance to avoid that carefully constructed notion of "branding" which all good writers who wish to be successful are supposed to do. I think I should steal my "brand" from the wonderful Lynda Barry's Cruddy, a truly genius work of disturbing brilliance:

No matter what: expect the unexpected. And whenever possible BE the unexpected.



Yeah, that's a good marketing plan, right? Sigh. I should probably not quit my day job, eh? Well, I have a few other things up my sleeves; maybe this eclecticism will pay off some day...

The theme of the collection is the full moon: my story takes place in London and even drops by Treadwell's. FYI, the 59 bus is the one that runs from the Tavistock Hotel (my usual hotel) in Bloomsbury to the Southbank. I love slang and jargon, and found a good site for jazz age slang. This was a lot of fun to write and poured out fairly quickly. Sometimes inspiration is a twig and sometimes it's more of a yule log.

Tuesday, January 05, 2010

Jane Quiet: 2.0


We have relaunched the story of your favourite occult investigator! Visit the new Jane Quiet site to see what's going on! New art work from Elena! The script from the original comic! And yes, a new story beginning soon!

Monday, May 04, 2009

Signing: Eastline Books

Just a quick note to let you know that I will be doing a signing for Unikirja May 30th at Eastline Books in Clifton Park, NY. The fabulous Robyn Ringler hosts many events at her independent book store and it's a great place to browse -- in fact, she'll be having a big sale that day. I expect there will be a lot of walk-ins and will be playing my kantele to intrigue them.

What's a kantele? That's tomorrow's topic (yes, it includes magic). In the meantime, off to the post office and then back to grading.

Wednesday, July 30, 2008

Unna ja Nuuk

Coming to Real Art Ways in Hartford, Connecticut on August 16th & 17th at 1.30pm: the Finnish film Unna ja Nuuk, which I simply have to see! Not only for the Finnish angle, but it overlaps with so much that I am writing now that I can hardly believe it. It's been making the rounds of various festivals since its release. Here's the description from the RAW eNews:

One day, 11 year old Unna feels a stab of pain in her chest - she senses that her beloved Grandpa is in danger. Unna calls her grandfather, who has had a case of illness, and saves his life. At the hospital Unna's grandfather reveals that Unna has shaman blood in her veins and that the gift to heal has been passed on to her. Unna is the only person Grandpa can turn to for help. Grandpa tells Unna where to find the shaman's book and magic drum. When it's beaten three times, the drum will move its owner to another time and place, and so begins Unna's adventure in the Finnish Stone Age.

Thursday, May 01, 2008

May Day / New Column


The tipping point toward summer is here, yet there was frost on my windshield this morning. Brrr. But the buds on the trees turned into leaves in the course of the weekend I was gone.

Speaking of pagan holidays: I'm pleased to announce I'm doing a (paid) bi-weekly column for the four times-a-week newsletter, the Daily Spell. I'm writing about medieval magic for this general audience of people interested in magic and witchcraft. There's been a bit of confusion with the starting date, so I didn't realize the first column actually appeared April 17, page 3. The latest column appears today on page one (and two). It's great to be able to share my learning with a wider audience than just academics. I like the discipline of a regular deadline, and you never know what ideas something like this will spark.

However you celebrate, enjoy the day and be careful around the bonfire. The Nick Lowe review coming soon -- short version? You so wish you were there: he kicked ass!

Wednesday, April 30, 2008

Walpurgisnacht

Teaching is done for the semester, just finals to go. I was sad to see the back of my film class, but they were more than ready to move on to finals and summer and graduation. It's Walpurgisnacht, so bonfires are burning -- and in Finland people are probably already drinking sima for Vappu (and getting ready to fry tippaleipƤ). We're off to see the Jesus of Cool. No doubt, I'll be writing up the sold-out concert tomorrow.

The joey Zone sends along this oddity: an impressionistic film of Peer Gynt from 1941, starring a teenage Chuck Heston. Seems appropriate for this wild night.