More Moore

I received confirmation that I will be giving my presentation on Alan Moore at the conference on his work at the University of Northampton at the end of May. My topic is:

Rite Here: Ritual, Performance and the Magick of Place

From his first public working, The Birth Caul, Alan Moore has always had a strong attachment to location as a specific aspect of his magickal work. The performance was originally intended as a “unique event” which sought “to draw the audience along the spiral of a winding, umbilical text, into successive pre-pubertal, pre-verbal and finally pre-natal states of being” in the specific location of Newcastle's nineteenth century Old County Court. Similarly, Moore unpacked the layers of geography of his home city of Northampton in the pages of Voice of the Fire, while the London locations of The Highbury Working and Angel Passage, his conjuration of William Blake, provided an anchor for those performances which tied the ethereal to a geographic reality. What happens when the ritual becomes unmoored from the place of its birth, when the “one time” performance repeats across the world, distributed on CDs and comics? Does ritual transform into mere performance, or can the intent survive the commercial process? If so, what does the ritual without location or the original conjurer produce?

With luck I will have a chance to meet up with a lot of interesting folk, including my pal, Pádraig Ó Méalóid.

UK Trip Week One

Okay, I'm going to make my usual hash of things by lumping together a bunch of things because 1) I didn't take a lot of pictures the first week (forgetting the camera at important junctures of course) and 2) even with the aid of travel journals, memory fades. Here's lovely Tavistock Square, where the Gandhi statue overlooks Starbucks and the hotel's wireless reaches across the road into the square (very handy).

Those of you who followed my adventures on Twitter know that I had a good deal of anxiety that I would never be leaving Albany, let alone getting to London. When I got to Philadelphia, I had just enough time to check in and see all the very unhappy people who were not getting on the overbooked flight (yeesh). Once on the plane, we were held up on the tarmac while they moved the food from the plane we were supposed to be on to the smaller one we actually were taking -- for about an hour. During that time the woman in front of me proved to be such a chatterbox that several people began to wish a punishing and painful death upon her. I finally got up, exasperated, to get my earplugs. The guy next to me begged for another set, but I had none to share. I've never seen such a fractious flight. The flight attendants just ignored the people who were nigh on coming to blows over nothing (US Airways, if you want to know).

But we got there, got through passport control, got through the first day of jet lag and on the second night headed to Treadwell's for a lecture by Owen Davies, whose new book Grimoires had just come out (and I had a copy for review!). It was a fun talk which gave a nice overview of the book, which tells about the history of magic books in the States as well as in Europe.

The next night I had dinner with my old friend Susan Emfinger, who curse the luck, still looks like Jerry Hall's better looking sister. If she weren't also witty and intelligent, I'd have to hate her, but she's so much fun, I can't. Careful readers will know she was part of the film that gave this blog its name. Yet she still speaks to me. I forgot the camera, of course, which irks me. We went to Istanbul Meze which was fantastic, then dallied at a pub not too far away.

Of course, what many of you are waiting for is the end of the week -- the Angela Carter Conference in Northampton and yes, meeting Alan Moore. But you're going to have to wait until tomorrow for part two!

Cruel, ain't I?

More Importantly

The Withnail & I cottage is going on sale! I must have it -- my pal Peg and I have decided we must scheme to make it ours, so please give generously so we can go re-create the film's misadventures. Yes, yes -- of course you can come visit. Hare optional.

The farmhouse goes under the hammer at the Berkeley Hotel in Knightsbridge, London, on 16 February, with a guide price of £145,000.