Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Monday, June 11, 2012

The Fairy Child

The Fairy Child

by Lord Dunsany


From the low white walls and the church's steeple,
From our little fields under grass or grain,
I'm gone away to the fairy people.
I shall not come to the town again.
You may see a girl with my face and tresses,
You may see one come to my mother's door
Who may speak my words and may wear my dresses,
She will not be I, for I come no more.
I am gone, gone far with the fairies roaming.
You may ask of me where the herons are
In the open marsh where the snipe are homing,
Or when no moon lights nor a single star,
On stormy nights when the streams are foaming
And a hint may come of my haunts afar,
With the reeds my floor and my roof the gloaming,
But I come no more into Ballynar.
Ask Father Ryan to read no verses
To call me back, for I am this day
From blessings far, and beyond curses.
No heaven shines where we ride away.
At speed unthought of in all your stables,
With the gods of old and the sons of Finn,
With the queens that reigned in olden fables
And kings that won what a sword can win.
You may hear us streaming above your gables
On nights as still as a planet's spin;
But never stir from your chairs and tables
To call my name. I shall come not in.
For I am gone to the fairy people,
Make the most of that other child
Who prays with you by the village steeple.
I am gone away to the woods and wild.
I am gone away to the open spaces,
And wither riding no man may tell;
But I shall look upon all your faces
No more in Heaven or Earth or Hell.

Friday, May 11, 2012

Friday's Forgotten Books: Complete Nonsense



Tomorrow is the 200th anniversary of Edward Lear's birth. There's a terrific blog that keeps track of all the events and and another that prints pages from Lear's diary. In a wonderful piece in the Independent David Quantick wrote winningly about Lear and the appeal of nonsense. I have to say, I was convinced before I ever read it that, "A little bit of nonsense is the secret of a sane life." Lear is one of those touchstones to which I always return.




You can't really go wrong where ever you start, but you may find you don't want to end. And there's all kinds of places to read on the web, if you don't have the money to spend. But The Complete Verse and Other Nonsense of course will give you much intercourse with rhymes that will soon become friends.

I wrote a poem and passed it off as one of Lear's. I had it published in Asinine Poetry. And then I made this recording. More nonsense, please.










Drop by Patti Abbott's blog Todd's blog this week and next for the full roundup. Mr Lear is part of a mighty triumvirate celebrating birthdays tomorrow, including Tony Hancock and the delightful Mr B. Happy birthday, boys!

Thursday, May 03, 2012

Reviews: Guerilla Blues & Beowulf

Guerrilla Blues
Alessandra Bava


People tend to think writers give their friends good reviews because they're pals; the truth is you become friends with people who write stories or poems that inspire you to be better, to do more, to aim for dizzying heights. My jester -- the poet of Rome -- Alessandra's new collection offers wonderful evidence of that. Inspired by poets and revolutionaries the poems converse with everyone from Che Guevara and Simone Weil to Artaud, the Beats, Akhmatova and Pasolini. All are people who burned with inspiration and a revolutionary zeal.

That's the fire that burns through these verses. This dual language edition shows how Bava shines with incendiary passion in both Italian and English. Setting aside the incredible skill that speaks to (composing poetry in one's childhood tongue proves challenging enough, but to practise the art in another tongue --) the inherent desire to find as wide an audience as possible. In Bava's hand poetry is not a detached art of the drawing room, but a call to the barriers and a shout in the streets.

Burn writing to the stake &
immolate yourself in the form of
Poetry. Then, like Phoenixes,
rise in the form of Action.
Every line forms a potential molotov, from the titular poem's description of "Tattered books / of flesh as bomb / shrapnel / bleeding truth" and the ringing lines of "Sons of Disobedience" with its lines of fury, flesh and teeth. "This is No Chimera" speaks to the forces of acquiescence and conformity that press upon us all, maintaining that "The only requirement / is to believe in / hazardous deeds" lest we turn into Gregor Samsa-like bugs as "Wake Up!" warns, too.

It's all part of her "Rules of Poetry" (which also gives the name to her blog) which include "be fearless" as well as "demand respect" but most of all "kill indifference" because in the end

demand attention:
the poet is You.

Beowulf
adapted by Joshua Gray
illustrated by Sean Yates

As a medievalist, I always despair of people's dismissal of the time especially early works like this epic poem. Most people -- if they're exposed to it at all -- get it in school, taught very badly by someone who likewise knows nothing about the poem and its context. I wish I had a dime for every student who expressed surprise at the poem being nothing like they encountered in high school (hmmm, maybe I do...). So I'm always pleased to see attempts to introduce readers to the poem in new ways. Gray and Yates' volume attempts to bring the old story to new, young readers with bold illustrations and a simplified story.

The illustrations capture a dark mood of adventure; they're sufficiently gruesome though only suggestively so -- safe for parents, inviting for younger readers. Gray's text reduces the story to a speedy series of adventures in the conquering of the three monsters with efficiency and some flair. Hrothgar's "sermon" gets boiled down to its essentials: don't let pride rule, when you're king you're responsible for more than just your fame. The publicity materials refer to this as a "verse adaptation" but it reads like prose, but the language is lively enough to be engaging.

There are some contextual errors that made me give very Biggs-ian head snaps: wet suit?! Surely even a child completely ignorant of the time period would know that a wet suit is a very modern invention. A sword does not go into a "holster" and Heorot is not a "castle" in any way. None of these anomalies are quite as egregious as the mistakes in Cigale's introduction conflating time periods, clearly unfamiliar with the difference between a scop and a bard, and missing the cadence of half-lines. But he highlights one lynchpin of this adaptation: the eternal bond between fathers and sons and "all men", which is apparently the aim of all storytelling.

Because there are, of course, no women in this telling of the story (monsters excepting).

I feel like banging my head against the wall again. Why is it the 11th century monks who wrote this story down in England can have more regard for the importance of women than 21st century (seemingly) secular men? It's not as insulting as the Zemeckis film, where women are reduced to powerless concubines, but I'm mystified by this need to completely remove women from the story in order to glorify men. Is that really the message to give your sons? That they somehow exist outside the world of women and girls? I hope not.



Wednesday, April 04, 2012

Writer Wednesday: Alessandra Bava

A couple bits of news before we get to La Bava: the fabulous Dana Fredsti will be stopping by the Girl's Guide to Surviving the Apocalypse on the 19th of this month with prizes (as if she wasn't a gift herself). Also I managed to miss the release of Dogcast #5 which features my piece "Words" right at the start of the podcast.

I'm delighted to welcome my friend, Alessandra Bava, poet and translator (who just revealed that she will be translating for Tom Stoppard next week, leaving me pea green with envy!). Alessandra was born in Rome in “the year of the barricades.” She holds an MA in American Literature and manages her own translation agency. In 2010 she had a cathartic encounter with SF poet laureate Jack Hirschman and she is currently writing his biography. Over 50 of her poems have appeared or are forthcoming in several journals and anthologies. Her first bilingual poetry chapbook, Guerrilla Blues, has just been published by Edizioni Ensemble. We appear side by side in the Occupy Wall Street Poetry Anthology (which is looking to publish in print, you can help).

Q: What do you write on? Computer, pad o' paper, battered Underwood? Give us a vivid picture.

I write on anything. From pieces of paper to pads to my laptop. I always carry pen and pad on me, but I have also learnt to use my cell phone in case of “emergency.” Muses can be frivolous! I do not have a writing desk, since I write wherever and whenever, even at work occasionally. Managing a translation agency is a great job because it is a great linguistic exercise. Translating from one language into another is a very creative process, as it forces you to recreate a text in your own language. It’s both frustrating and rewarding. It’s both heaven and hell, very much like writing at times.

Q: Do you listen to music while you write? Does it influence what you write?

Music inspires me in many different ways, but I seldom listen to music when I write. I hammer words and make enough interior noise as to require my listening abilities to be fully available. I follow my inner rhythm: writing to me is like singing – so I must concentrate on my own voice.


Q: Do you write in short bursts or carve out long periods of time to work? Is it a habit or a vice?

Poems usually come to me unasked, whether short or long. A word or a sentence pops into my head and usually turns into a poem, often as it is meant to be. I do very little editing. I so wish writing could be a habit, but I can’t afford to be a professional writer and devote 8 hours per day to writing. I am a vicious amateur.

Q: What writer would you most want to read your work? What would you want to hear them say?

I feel lucky for having had poets Jack Hirschman and Agneta Falk read my poems and appreciating them. Jack even wrote the introduction to Guerrilla Blues. What he said and wrote makes me happy in ways I find hard to express in words. I honestly look forward to receiving some critical feedback now. Too much praise won’t do me much good as a writer.

Q: On the days where the writing doesn't go so well, what other art or career do you fantasize about pursuing instead?

I so wish I could draw or paint or even play an instrument, but I can’t. If I lived in the 19th century I would be considered a very unaccomplished lady, I fear.


Q: What do you read? What do you re-read?

I have read and re-read an impressive number of poetry collections in the course of the last 2 years, but I’m attacking fiction again. I’m currently reading DeLillo’s Cosmopolis and George Sand’s Letters.

Q: Where did the idea for Guerilla Blues come from? Do you have a surefire way of sparking inspiration?

I was looking for a publisher for an Anthology of Rome’s Revolutionary Poets Brigade (a group of 10 poets living or aspiring to live permanently in Rome inspired by Jack Hirschman’s RPB in San Francisco that include the undersigned and John Claude Smith as well). And, when I met Matteo (the publisher of Edizioni Ensemble) to talk to him about the project last December, I gave him some of my poems to read. He loved them and decided to make a real book out of them. This is how Guerrilla Blues was born. In other words, it was a collection of poems that I believed worked well together triggered by my idea of poetry as a means of “disobedience” to awaken consciences in our too often “sleeping” world.

 
SONS OF DISOBEDIENCE

Like Thoreau
      I believe that things
            don’t change, but that
               we can and must

change. With superb fury,
      we fight liminally,
          peripherally,
               deliberately.

The Armed Voice
     inspires us,
        unites us,
            re-unites us.

                  We garrison arsenals
                  of poetry and we fear
                  not to be taken to the
                  stocks: words, naked

                  craving flesh,
            bones, dripping
        lines, teeth sunk in
  bowels of sense
         
                     and dissent.
              Hands and hips
   drowned in truth’s
blood

                    ready to give birth
             to several leaves—ready
       to give birth to several
  sons—of DISOBEDIENCE.

Find Alessandra at her blog as well as on Facebook and Twitter. And get yourself a copy of Guerilla Blues: it's simply incendiary as the best poetry always is. Grazie!

Friday, March 23, 2012

Interview & Friday's Forgotten Book

Hey, that's me over at Book Reel talking about book trailers, my prodigious output and where I get my ideas (not Schenectady!). I had a terrific time answering the questions, so stop by and leave a comment if you're of a mind to and feel free to share the link where you can. Help me claw my way out of obscurity!

If you haven't already heard, the fabulous Alessandra Bava has a bilingual collection of poetry out, Guerrilla Blues. Her work is amazing: passionate, vivid, fearless. I can't wait to get my copy!

FRIDAY'S FORGOTTEN BOOK: Somebody Owes Me Money

Talk about prodigious outputs! Donald E. Westlake is a legend. Over a hundred novels, many under pseudonyms, mostly in crime but also in other genres as well. He was in the back of mind from some conversation this past week, so when I went to the library this week to return books I checked to see if they had any Westlake and sure enough, they did (not that my shiny shiny iPad Rook isn't groaning with books to be read >_<). This one looked like fun.

First published in 1969, Somebody Owes Me Money got this shiny new edition from Hard Case Crime in 2008. The main character is the hapless Chet Conway, cab driver and inveterate gambler. Not the sharpest tool in the shed, but he generally catches on eventually. There's something fun about writing a character that's going to be less swift than the reader and Chet fills the bill. The brilliant opening line plays with the gradual reveal: "I bet none of it would have happened if I wasn't so eloquent."

What happens is that Chet gets the tip of a lifetime, scores big, goes round to his bookie Tony and finds him dead. And then Tony's wife arrives and eventually the police and things don't look so good. Chet manages to get the police to believe he didn't kill Tony, but the next thing you know the bookie's sister Abbie arrives with a gun in hand, sure he did murder her brother and ready to get revenge.

Chet and Abbie make a winning pair, bickering and working at cross-purposes; she's way out of his league and Chet's constantly surprised to find her in the vicinity. If it weren't for Abbie, he'd have bought it in the first few chapters, which brings out his chivalrous desire to protect her, though as even he realises, "Abbie McKay was no helpless damsel in distress. She could take care of herself, that girl, I was sure of it."

Fun stuff: suspense, twists and turns as well as laugh out loud moments. Full of those nice little touches that give a richness to the story and fill in its world, like everyone arriving out of breath from the long walk up to Jerry's fifth floor apartment or the insane insurance calculations that obsess Chet's dad. Well worth a ride.

See all the FFB recommendations over at Patti Abbott's blog.

Friday, February 17, 2012

AudioBoo: Moths


One touch easy recording, that's what an Audio Boo claims to be. So I had to try it out on my new shiny toy. This is a poem that's supposed to be appearing in a magazine at some point but that was about a year ago that they said so, thus I wonder if it will ever come to be (impatient? I don't know what you mean!). So here's a lovely Atlas Moth photographed by my pal Ayub at the Butterfly World Project (which I'll be seeing this spring!).



Moths: a poem of dissatisfac (mp3)



Alert readers may recognise the opening line swiped from a news story headline (thanks again, Mark H-J, for bringing it to my attention) that also appeared in another, somewhat more serious, poem "Lullaby" that appeared in Chronogram last summer:

Moths drink the tears of sleeping birds;
Mothers hear the sound of unspoken words;

Fathers know the wishes in your heart;
The magic of love is the only true art.


Massively busy this week: and Bertie's coming to visit next week. Much to be done, yet there is still time for the idle creation of memes:


Saturday, November 26, 2011

Know-vember: Alessandra

The lovely poet of Rome, monarch of Pandemonium, translator extraordinaire and jester full of sprezzatura -- yes, it's La Bava! How she brightens my days simply by being her extraordinary self. She was my hostess in Rome who took me to all the dazzling sights and fed me the very finest food, most of it at her own table along with her handsome son, the knight Edoardo, and the delightful royal taster, Ghibli the Dalmatian. You must see some of her fabulous poetry and why not check out her devoted partner John, who took this lovely photo of Ale during their holiday in Umbria, Lazio & Tuscany.



1. What's the first thing you do upon waking in the morning?

I curse the alarm clock since it’s usually 5.30 am, then I shower, I get dressed and at that point I am in dire need of coffee. Not to mention the fact that there is a hairy mister wagging its tail demanding to be fed!

2. What's a song you might be persuaded to dance to?

No song in particular, rather the disco dance of the Seventies.

3. Where in the world do you live?

In the most charming spot of the planet. A place also known as the Eternal City.

4. What's a great night out for you?

A happy hour or dinner out somewhere in the center with the people I love and/or with friends.

5. What's a great night in?

Excellent food and wine, a movie and fireworks in the pink room.

6. If you were offered an all expenses paid trip anywhere in the world, where would you go?

I would head to St. Petersburg, Moscow and the Article Circle to experience the Aurora Borealis. Japan and Patagonia would be next on my wish list.

7. What book do you wish everyone would read so you could talk about it?

Any of Dostoevsky’s works. It’s one of the authors whose entire works I have read and re-read over the last 30 years.

8. What movie makes you cry?

Many do. Bright Star, to name one. But, Million Dollar Baby is the movie that really had me cry my heart out.

9. What makes you laugh?

Witticism of any kind and my dalmatian -- he is a comedian in disguise. By the way, John and I laugh ALL the time! [Ed: I am unsurprised ;-)]

10. Are there fairies at the bottom of your garden?

Of course! But, the malicious house kobold is the sprite I am more fond of. 

Thank you, my dear!

Saturday, November 19, 2011

Publications: Mandrake & Magpies/Songs of Defiance

Just back from a visit with Elena, Rod and Lydia in Dublin where we also managed to run into Bono, Michale Bublé -- and more importantly @sirthopas and Pádraig. Pictures soon! I've also got some good news to share on the publication front.

First, my short story "Mandrake and Magpies" -- the first story to be set in Galway! -- has just appeared in the first international noir anthology, Dark Pages from Trestle Press' new imprint. The ebook is available on Amazon for just $2.99 and gives you a wealth of terrific works from a terrific group of writer including my pal Mr B, who also made an off-hand reference to the classic overwrought pop anthem "MacArthur Park" in his story.

I'm sure my ongoing obsession with magpies surprises no one; the "mandrake" part may be more obscure, but it's a reference to a Fall lyric by MES (of course, I hear you say) and actually featured first in a 140 word story I wrote (still floating around out there somewhere). I feel a bit nervous about having my first story set in Ireland out there, but I had fun making use of the areas I know pretty well now (and making a small swipe at the Gardai immigration office, grrrr). Fun!

And I think my contribution to the Drunk on the Moon series will be out this coming week: It's a Curse which is, ah, also named after a Fall song (>_<). Heh.

On a different tack, the lovely Alessandra Bava and I appear together (literally! on adjoining pages) in the Occupy Wall Street Poetry Anthology. A wonderful cause and the collection made more poignant by the brutal destruction of the OWS library by police the other night. Ale's piece "Sons of Disobedience" appears in both English and Italian. My "Songs of Defiance" originally appeared in the Bayou Review and was composed after the 2004 election, when despair filled the corridors of UHD. The fight never ends.


Monday, October 31, 2011

Happy Halloween!

A gloriously spooky day to you all! I know I have been remiss in my Halloween cards for the last couple years; I have as an excuse the general madness of my life lately -- this year in particular. I suspect next year will either be incredibly dull and boring, or else more mad than ever.

I will not be taking bets on that. Let's not tempt fate, eh?

My sympathies for all my east coast friends who got a lot of snow dumped on them this weekend. I won't regale you with what a surprisingly warm day it was in Galway, how I walked out along the Claddagh and out the causeway to Mutton Island... oh, wait. I am doing that. Sorry! A freak October snowstorm. I'm sure it will be smooth sailing for the rest of the season...

All right, no more teasing. I remember well the painful jaws of the Great Grey Beast of February. Let this be the most snow you see until the thaws begin!


In lieu of an actual card, here's an old chestnut that I hope you're not tired of yet:


Devil's Night

It was called Devil's Night in the town where I lived
That veiled night before Halloween,
When goblins came out and devils ran wild
And some said that witches were seen.
We kids stayed inside, safe in our beds
And whispered of what there might be—
But one year we intended to see for ourselves,
My sister, my black cat and me.

The sun had long set and the darkness had come
To wrap all the houses in black,
When we crawled out the window and crept ‘cross the lawn
And none of us even looked back.
Though the wind tapped our shoulders and played with our hair
And ran through the leaves with mad glee,
We were stalwart and true like the heroes we knew,
My sister, my black cat and me.

We had never quite said, but each knew in our heads
The goal of our late night foray;
There was only one house whose black shutters and spires
Cast long inky shadows by day.
The house of nightmares was the subject of dares
For children much older than we,
But we knew we must try to sneak in and spy,
My sister, my black cat and me.

As we walked on our own down the mist-shrouded lane
The goblin cries rang through the night.
My sister told me, with an air of disdain,
That I should not take any fright.
'It's only some kids wrapped in sheets that they hid,
That they took from their mothers laundry.'
And we continued along with much knocking of knees
By my sister, my black cat and me.

The house loomed ahead with its turrets like spikes
Aimed at a portentous sky
The old shutters rattled and the chimney howled doom
But the wind smelled like pumpkin pie.
'An old witch lives here and she eats little kids,'
My sister heard from Katie Lee
And we were likely to die if we drew too near by
My sister, my black cat and me.

'I'll go up on the porch and ring her doorbell
then run—like the wind—quick away.
You go ‘round the back and give a sharp rat-a-tat,
Before she can come out this way.'
Her plans carefully laid, my sister then stayed
As I walked toward the back door slowly,
I'll admit I was scared and I felt ill- prepared,
No sister, just black cat and me.

As I prowled through the gloom I saw a bright room
And an old woman dressed all in black.
'It must be the witch,' I said to my cat
And shivered and shook in my tracks.
I wanted to run but I heard the doorbell
And I knew that my sister's safety
Was all in my hands, so we gathered our breaths,
Poor little black cat and me.

I made a small fist and raised up my arm
To deliver the thunderous tap
But I froze to the spot when I saw a dark shape
That opened the door with a snap.
'I know what you want!' I heard the witch say
But my feet would not move to flee
And she swept us inside the warm kitchen's light,
Poor little black cat and me.

My tears trickled down and I begged for my life
And the life of my little kitty.
The old witch just smiled and patted my head
And said to me, 'Don't be silly.
I've got oodles of pie and candy and fudge
And a gingerbread house so pretty,
And I wish you would share all the food I've prepared—
It's too much for my big cat and me!'

I looked all around and my fear dissipated
The kitchen was cheerful and clean
And the huge oaken table was filled ‘til it groaned
With more treats than I'd ever seen—
Pies of all kinds and cookies with chips
And a big steaming pot of green tea,
And in front of the fire a great big cat yawned
At my ravenous black cat and me.

I said, 'Thank you ma'am!' and plopped down in a chair
And she set a blue plate before me
And I piled it up high with some warm pumpkin pie
And a big taste of each sweet dainty.
I was feeding my face and telling the witch of our chase
When my sister's gaze fell upon me.
But it took little time before we brought her inside
To eat with my black cat and me.

So when you see a witch and your knees start to shake
And you're tempted to run to the hills,
Just remember the night that we wandered quite late
Seeking out Devil's Night thrills.
Some witches are good, and some witches are bad
But they all make amazing candy!
If you're sweet and not rude, they might share their food
With your sister, your black cat and thee.

Happy Halloween! Samhain maith! Wear iron and don't talk to pookahs. Let us remember those who have gone and whom we miss and share the bright memories with those near us now. Be well.

Thursday, October 27, 2011

BitchBuzz and Over the Edge

I'm fighting off a cold that seemed to ride my coattails from London but if I'm feeling not too bad, I plan to head off to Over the Edge's reading tonight at the library (where I am now mayor :-) and perhaps try out a new piece at the open mic if there's room. A rather silly piece, but one I'm already fond of and having run it by a couple of people, I'd love to hear how it goes over with a crowd.

My column nearly didn't happen this week: I tried a couple of different things and nothing jelled (maybe it was coming down with this cold -- can't remember the last time I was sick!). So I emailed my editor to admit defeat and voilá! She had something for me to write up. Looks like a fun event:


Put the Kink in Your Ink at Eroticon 2012

By K. A. Laity


One of the undeniable effects of the ebook revolution is the explosion of erotica and erotic romance particularly for female readers. Freed from the dead giveaway of the saucy cover, women now fill up their Kindles and mobile devices with a glorious variety of fun smut and sexy takes. It's about time someone got some of the practitioners of this writing genre together.

Eroticon 2012 will be the UK’s first sex bloggers and erotica writers conference and will take place on March 3rd next year. Over 100 sex bloggers and erotica writers will meet in Bristol for a unique conference.  Eroticon is the UK’s first conference aimed exclusively at sex bloggers and erotica writers and has a schedule crammed full of great sessions and speakers.

The conference is the brainchild of erotic author Ruby Kiddell, who says:
"The idea for Eroticon came about having attended the Cybermummy conference where I was sponsored through my erotic writing site.  There were other sex bloggers there and I knew that we held back in discussing the content of our blogs in such a general atmosphere and so I conceived Eroticon, a blogging conference exclusively for those writing about sex online..."

Read the rest over at BBHQ!

Sunday, June 12, 2011

Running to Catch Up

That's a misleading title as I plan for this to be a very lazy Sunday. I may wander out to a museum this afternoon and get myself a Sunday roast dinner, but that's about as far as my ambitions run at present. I often have the thought of how little time I have in London this trip nipping at my thoughts, but that only makes it more grand to luxuriate in idleness. I have been busy nonetheless and it will take a while for me to get caught up on writing about all my adventures. Among  things done:

I got a poem published (yes, me!). Some print copies of Chronogram should have arrived by the time I return, but you can read "Lullaby" online (albeit in a rather unexpectedly awkward layout).

I played a theremin!

I visited the wax head of Jeremy Bentham!

I saw a giant fox!

I've been to plays, museums and galleries!

Pubs!

Hanging out with friends and laughing -- and a whole lot more. I love this city, and the truth about London is that you never know what might lie around any corner. Such as naked people on bikes...

Monday, May 30, 2011

Poetry in Motion

Well, I don't generally consider myself to be a poet, so it may be a bit surprising to hear me announce that I have not one but two poems coming out soon, both inspired by a bizarre headline I reposted here. "Moths" will be coming out in Zouch Magazine, which has also offered poems by talented pals of mine, Alessandra and John (see, all the cool kids are doing it!). I love their visual aesthetics. "Lullaby" will be in the June issue of Chronogram, which is available in upstate NY and probably western MA as well. I think they eventually put things online, too.

I suppose Shelley might be spinning in his grave at the thought of this, but hey, if they idea comes to me, I write it. And more often than not, someone somewhere seems willing to publish it.

I have a couple of humour pieces to come out as well. "Soap Opera Digest" will be in the next issue of Dragnet Magazine (another beautifully designed site). And coming soon, although I'm not sure when, from Defenstration Magazine (love that name!) will be "Review: Dracula X" which some fellow Horror listers may recognize as the expanded edition of a rather silly April Fool's joke.

Hope everyone who's got a holiday today is appreciating it. I'd appreciate it more if it were less warm. Bleh. Hope it's cooler in England this year than it has been the last few years. Where's my rain and fog?!

Monday, April 11, 2011

Carnival of the Animals

Image via Sokoblovsky Farms, petitelapgiraffe.com

The CSR Camerata concert went very well (not just saying that; read the review :-). I had a lot of fun reading Nash's poems and listening to my fabulous colleagues play. We all went out to The Point afterward, which is always lovely, too. I am consequently brainstorming more ways to combine the written word and music. Who wouldn't want to add beautiful music to an academic presentation? Wonderful.

A hectic week ahead which culminates in leaving Friday for Iowa to give the keynote speech at the Craft/Critique/Culture Conference. Let's hope by the time I get on that plane I am happy with the talk and the Powerpoint presentation, so I can relax and read something fun rather than continue tinkering with it all.

Not there yet. Argh -- at least not Sunday afternoon as I type this, though perhaps Monday morning when it posts was supposed to post [d'oh!]. Because I've got events all day Monday, Tuesday and Thursday, so there's precious little time left.

Gulp.

Friday, April 08, 2011

Carnival & FFB: Skeem Life

Tonight! The Saint Rose Camerata plays Camille Saint-Saëns' Carnival of the Animals. I will read some Ogden Nash poems between the songs. Unfortunately not among them is one of the tiny number of poems I can recite by heart (which includes Lewis Carroll's Jabberwocky and Dorothy Parker's Résumé):

The wombat lives across the seas
Among the far Antipodes.
He may exist on nuts and berries
Or then again, on missionaries.
His distant habitat precludes
Conclusive knowledge of his moods,
But I would not engage the wombat
In any form of mortal combat.


Wise words!



Get the full round up of Friday's Forgotten Books over at Patti Abbot's blog. I'm stretching the definition of FFB to cover a book that hasn't had much exposure and should: SKEEM LIFE by Gary Robertson. I met Gary on Twitter, first because of his band The Cundeez -- probably because I was touting the Punk Rock Juke Box with Marko (every Thu 12-3 and Fri 11-2 Eastern). Good stuff! As we got to talking, we discovered we both wrote and chatted about plays and books. Gary sent me a lovely package with Skeem Life and his book of poetry, Pure Dundee, and his historical study Gangs of Dundee. You're sensing a theme, eh? He also sent me The Cundeez CDs and a DVD of a performance of his play The Berries.

Well, you know that I'm usually quite good with languages and accents, but I have to admit while I had little trouble reading Dundeez, I have had to listen very closely while watching the play! I'm going to have to watch it again after reading and assimilating the books, but it's a very funny and often rather touching account of a day's work picking berries. Apparently buses would take people out from the city to pick berries during the height of the season, a welcome addition to their often meagre incomes during the tough times, but also a kind of break from the usual routine.

As Robertson puts it in "McGonagall's Disciples" (a reference to the legendary Scottish poet),

We are thi Dundee lihterahti
Ejicated on thi streetz an a but bren scatty

and they speak

Wi language az rough az a rhino's erse
Oary Dundonian in poetic verse
Itz oor tongue, oor dialect, itz how wi converse

You get acclimated quickly. And the stories in Skeem Life are often hilarious though also often relating dangerous events and somewhat scandalous situations, but the matter-of-fact spirit and unflagging sense of fun triumph. It's a hard life, but there's never any self-pity. Great stuff.

Check out the music, poetry and books, and be sure to keep it oary!




Friday, April 01, 2011

Friday's Forgotten Books: The Pillow Book of Eleanor Bron

I'm glad to put the March madness behind me, but as it's April Fools' Day, I'll not trust that things are any less insane. No column yesterday because as I discovered last night, I forgot to send it -- d'oh! Maybe it'll be up later today. That's just how it's been. Some of the madness is good: keep your fingers crossed.

Publication: Check out my faux Lear in the April issue of Asinine Poetry and "like" it if so inclined. See also my "hack" bio. The editor writes:

Ms. K.A. Laity is capable as few poets are of a nubile, incessant verse that wears its pants lightly. Her poetics do not hold to some center, but instead bounce around the space in a vain effort to catch the laser point of reason.

High praise, eh -- er, something...

Don't forget to peruse the other offerings of overlooked books at Patti Abbott's blog.

FFB: THE PILLOW BOOK OF ELEANOR BRON

First, massive thanks to Todd for getting me this. We had nearly given up on it arriving and then at last it did. It's a hard to find book, which is a travesty. You doubtless know Bron if only from my mentions of her with my idol Peter Cook or in the Beatles' Help! or of course as Patsy's mother in AbFab.

What you may not know is that she is a crisply intelligent observer and witty self-deflating writer. Working with lionized men like Cook, Moore, Miller and Bennett in Beyond the Fringe and of course, The Beatles, Bron often finds herself on the fringes of the excitement and ignored. Yet she never seems resentful although frequently amused and always sharply observant. Here she is on flying to Nassau with the Fab Four to film the tropical sections of Help!:

I was not prepared for the noise when we walked out onto the tarmac. It was Trafalgar Square with the volume up, beyond imagination -- the sound of millions of starlings startled into the air, But the starlings were girls, when I looked back, very very young ones, who covered the airport buildings. Wherever you could see, wherever they could see, wherever they were allowed, and elsewhere, oozing and easing themselves in where they were not; waving banners and arms, pushing and heaving, in great danger I imagine of falling over edges, wriggling and ceaselessly squealing -- a high sighing hopeless poignant sound, unrequitable.

She reprints a letter from EM Forster who says he's looking forward to seeing her in the dramatic adaptation of Howard's End. Bron makes little lists, "poignant things" or "disappointing things" or "remarkable things":

-- my mother's total lack of vanity
-- my father's sense of fairness

The glamourous world of show business, which she seems nonplussed to find herself immersed in, gets treated with an explorer's eye of discovery and sometimes a dazzled look of amazement. The whole of this book is delightful and I long to sit down to tea with Bron and just talk for hours. Sigh.

Thursday, March 10, 2011

Re-Entry: A Challenge

Hundreds of emails and more to wade through: bear with me and for the moment, enjoy this lovely photo Alessandra took of me at the top of the Spanish steps with my "Bright Star" badge from the Keats house and Rome behind me. Pictures, videos and more to come!

Friday, December 31, 2010

Friday's 'Forgotten' Books: The Corinthian

Georgette Heyer should be a household name; that's the only thing that qualifies this as a "forgotten" book. Heyer is still a nonpareil amongst romance readers, but little known beyond that group. I only learned about her because of Stephen Fry; for his 50th birthday he had a short program on his "guilty pleasures" and one of them was Heyer. She came along at just the right time for me,  as her lively cant became incorporated into the ongoing serial that's now been published as The Mangrove Legacy.

Heyer is primarily responsible for making The Regency a genre all itself, though she wrote mysteries and stories set in other periods as well. For readers who rip through Austen's works and then lament there is no more, Heyer is a treasure trove. She doesn't just capture Austen's period; she also shares a great deal of her sense of fun and wit. In short, her books are a delight.

The Corinthian provides an excellent example. The title is slang for a man of fashion, the type who spend an awful lot of time worrying about the state of his cravat. A very drunk Sir Richard Wyndham one night happens upon the runaway Penelope Creed; both are facing a marriage they do not wish to engage upon and the tomboyish Pen convinces Wyndham to chaperone her on a coach trip to her childhood home -- and of course along the way, he sobers up, she reveals herself to be more than the "child" he continues to call her and they get mixed up in various misunderstands and crime. Delightful stuff that will amuse anyone; Heyer's skill at bringing characters to life is superb, her dialogue crackles with good humor. The covers her work appears within, however, seem designed to appeal only to romance readers, alas. Trust me -- and Stephen Fry! -- Heyer is wonderful.

I'm off this morning to the airport: Atlanta and then Memphis where Miss Wendy will whisk me off to Oxford. We're hoping to have a lot of fun ringing in the new year. I'm looking forward to seeing her new home and the land of Faulkner.

A rather Leary sort of poem (or so at least I once passed it off without a murmur of dissent) I wrote has been accepted by the Journal of Asinine Poetry. I'll let you know when it's available. The short humor piece I did for State of Imagination will be up tomorrow I believe. Look for "A Plea on Behalf of the Small Hat League."

It's the little things that matter: in the midst of a very irritating day yesterday, I was cheered by receiving a card in the mail -- a holiday card from Alan Moore and Melinda Gebbie. Cue fan girl squee. It's hard not to do so, even though having met them -- they're both so nice and easy going -- I can understand the frustration with the public persona created by the media (and pop songs). At least they have a good sense of humor about it: I remember Alan telling a story about walking past a football match on the green in Northampton, when a waggish cabbie stopped to shout, "Say, Alan, do you know the score?" Hee! Yes, that's the "reclusive" writer, who spends an awful lot of his time rambling around the city and talking to people. Never believe the press.

Sunday, October 31, 2010

Happy Halloween!

Busy weekend, busy autumn: I never got around to my traditional Halloween card, so here's a blast from the past which has come to mind several times this week, so clearly she wants to make an appearance:

Devil’s Night

It was called Devil’s Night in the town where I lived
That veiled night before Halloween,
When goblins came out and devils ran wild
And some said that witches were seen.
We kids stayed inside, safe in our beds
And whispered of what there might be—
But one year we intended to see for ourselves,
My sister, my black cat and me.

The sun had long set and the darkness had come
To wrap all the houses in black,
When we crawled out the window and crept ‘cross the lawn
And none of us even looked back.
Though the wind tapped our shoulders and played with our hair
And ran through the leaves with mad glee,
We were stalwart and true like the heroes we knew,
My sister, my black cat and me.

We had never quite said, but each knew in our heads
The goal of our late night foray;
There was only one house whose black shutters and spires
Cast long inky shadows by day.
The house of nightmares was the subject of dares
For children much older than we,
But we knew we must try to sneak in and spy,
My sister, my black cat and me.

As we walked on our own down the mist-shrouded lane
The goblin cries rang through the night.
My sister told me, with an air of disdain,
That I should not take any fright.
“It’s only some kids wrapped in sheets that they hid,
That they took from their mother’s laundry.”
And we continued along with much knocking of knees
By my sister, my black cat and me.


The house loomed ahead with its turrets like spikes
Aimed at a portentous sky
The old shutters rattled and the chimney howled doom
But the wind smelled like pumpkin pie.
“An old witch lives here and she eats little kids,”
My sister heard from Katie Lee
And we were likely to die if we drew too near by
My sister, my black cat and me.

“I’ll go up on the porch and ring her doorbell
then run—like the wind—quick away.
You go ‘round the back and give a sharp ratatat,
Before she can come out this way.”
Her plans carefully laid, my sister then stayed
As I walked toward the back door slowly,
I’ll admit I was scared and I felt ill- prepared,
No sister, just black cat and me.

As I prowled through the gloom I saw a bright room
And an old woman dressed all in black.
“It must be the witch,” I said to my cat
And shivered and shook in my tracks.
I wanted to run but I heard the doorbell
And I knew that my sister’s safety
Was all in my hands, so we gathered our breaths,
Poor little black cat and me.

I made a small fist and raised up my arm
To deliver the thunderous tap
But I froze to the spot when I saw a dark shape
That opened the door with a snap.
“I know what you want!” I hear the witch say
But my feet would not move to flee
And she swept us inside the warm kitchen’s light,
Poor little black cat and me.

My tears trickled down and I begged for my life
And the life of my little kitty.
The old witch just smiled and patted my head
And said to me, “Don’t be silly.
I’ve got oodles of pie and candy and fudge
And a gingerbread house so pretty,
And I wish you would share all the food I’ve prepared—
It’s too much for my big cat and me!”

I looked all around and my fear dissipated
The kitchen was cheerful and clean
And the huge oaken table was filled ‘til it groaned
With more treats than I’d ever seen—
Pies of all kinds and cookies with chips
And a big steaming pot of green tea,
And in front of the fire a great big cat yawned
At my ravenous black cat and me.

I said “Thank you ma’am!” and plopped down in a chair
And she set a blue plate before me
And I piled it up high with some warm pumpkin pie
And a big taste of each sweet dainty.
I was feeding my face and telling the witch of our chase
When my sister’s gaze fell upon me.
But it took little time before we brought her inside
To eat with my black cat and me.

So when you see a witch and your knees start to shake
And you’re tempted to run to the hills,
Just remember the night that we wandered quite late
Seeking out Devil’s Night thrills.
Some witches are good, and some witches are bad
But they all make amazing candy!
If you’re sweet and not rude, they might share their food
With your sister, your black cat and thee.

Friday, May 21, 2010

BitchBuzz: Poetry and Protest

In a rush, but here's a link to my column at BitchBuzz. Video to post later!

While it's faded a bit from the news, the Twitter joke trial (#twitterjoketrial) will have a lingering impact, not only for its outrageous assault on reason and human rights, but for its less immediate effects on humour. 

In case you missed it, the brief story is young man in love (or lust -- does it really matter?) is ready to fly off to see the woman he'd formed an attachment to via the net. If you're still snickering at internet match-ups, I'm sure you must be one of those folks lucky enough to meet fabulously interesting folks in drunken pub crawls or on blind dates set up by your friends (yes, that weird guy they thought was "perfect for you" is an indication of what they think you will settle for).

However, when Paul Chambers set off to fly from Nottingham to Ireland, only to be met by delays (anxiously watching the ash reports myself this past week, I can relate). Among the frustrated tweets he sent was the mocking, "Crap! Robin Hood Airport is closed. You’ve got a week and a bit to get your sh*t together otherwise I’m blowing the airport sky high!"
Yes, it is stupid to make jokes about bombing airports. But is it really worth giving a criminal record (apparently killing his career) and a £1000 fine over that kind of stupid remark?

Tuesday, May 11, 2010

Byron by Way of East Cheam



Ah, Hancock! Not to mention Sid James and John Le Mesurier -- and of course, script by Galton and Simpson.

Busy busy busy -- so much to get done this week before I run away. Somehow it will all get done, right? Wait -- wasn't the end of the semester supposed to be the end of stress? Well, I have a paper to write and a lot of tasks to finish; yet I'm thinking about a book trailer for Pelzmantel and what it should include...