-- P. G. Wodehouse
There's some kind of fundamental perversity in my nature that made me choose at the library this week a 5 CD unabridged set of Beckett's Malone Dies as well as P. G. Wodehouse's Young Men in Spats, but I'll leave you to sort out what that means.
Wodehouse's prose delights. A simple yet profound pleasure, one that most Americans in particular seem immune to -- a phenomenon I cannot comprehend. I suppose I can grasp there are those who dislike spending time with the (mostly) rich young things idling their time in (mostly) frivolous ways, as does Wodehouse's most well-known creation Bertie Wooster. More folks became enamored of them when Bertie and the inimitably shimmering Jeeves were brought to vivid life by Hugh Laurie and Stephen Fry (who seemed born to take the roles). But it's also true that Wodehouse has never received the acclaim more dour writers regularly do, because he makes everything seem so effortless. The key word there is seem: as Oscar Wilde could tell you, there's nothing that takes more effort than creating prose that feels effortless.
Wodehouse is a genius. While his topics may be nothing earth-shattering, his prose captures a crystalline brightness that seems impossible to replicate. It's so deft. So I will just share some of the delights from this volume detailing the exploits of some of the young men of "a little group of Eggs and Beans and Crumpets" who often regard women as a separate species:
"It saddened him, he tells me, when he opened his illustrated tabloid of a morning, to have to try to eat eggs and bacon while gazing at a photograph of Mae Belle McGinnis, taken when she was not looking her best because Mr. McGinnis had just settled some domestic dispute with the meat-axe."
"The foundation of the beverage manufactured by Mr. Silvers seemed to be neat vitriol, but, once you had got used to the top of your head going up and down like the lid of a kettle with boiling water in it, the effects were far from unpleasant."
"And on the morning of which I speak they had strolled into into the Thorpe and Widgery emporium to lay in a few little odds and ends, and there, putting in a bid for five pounds of streaky bacon, was a girl so lovely that they congealed in their tracks."
"The first intimation Barmy had that the binge was going to be run on lines other than those which he had anticipated was when a very stout Mother in a pink bonnet and a dress covered with bugles suddenly picked off a passing cyclist with a well-directed tomato, causing him to skid into a ditch, Upon which, all sixteen mothers laughed like fiends in hell, and it was plain that they considered the proceedings had now been formally opened."
"Already the barmaid's ears had begun to work loose at the roots as she pricked them up."
"Well, Freddie, as you know, has never been the dreamy meditative type. I would describe him as essentially the man of action. And he acted now as never before. He tells me he doubts if a chamois of the Alps, unless at the end of a most intensive spell of training, could have got down the stairs quicker than he did."
"He had studied Woman, and he knew that when Woman gets into a tight place her first act is to shovel the blame off on to the nearest male."
"Already the barmaid's ears had begun to work loose at the roots as she pricked them up."
"Well, Freddie, as you know, has never been the dreamy meditative type. I would describe him as essentially the man of action. And he acted now as never before. He tells me he doubts if a chamois of the Alps, unless at the end of a most intensive spell of training, could have got down the stairs quicker than he did."
"He had studied Woman, and he knew that when Woman gets into a tight place her first act is to shovel the blame off on to the nearest male."
Stephen Fry's recent faux pas highlights a cultural blind spot about women's sexuality and shame.
